"I want my clothes to make you smile!"-Patrick Kelly Patrick Kelly (1954-1990) was known for his bold, bright, and joyful fashion creations that resonated in the streets and nightclubs and on the runways of New York, Paris, and beyond. The first American and the first Black designer to be admitted to the governing body of the French fashion industry, Kelly boasted celebrity couture clients including Madonna, Cicely Tyson, and Gloria Steinem. His designs are distinguished by a combination of playful aesthetics and a willingness to brazenly foreground race and heritage and push cultural boundaries, including racial tropes like golliwogs, or Black baby dolls. Generously illustrated with hundreds of images of runway photography, garments on mannequins, and never-before-published archival materials, this book is an unprecedented exploration of Kelly's influential career, which was tragically cut short by complications from AIDS. More than 80 of Kelly's most beloved works are featured alongside thoughtful essays focusing on his work in relationship to French fashion, Queer identity, Black identity, and his exuberant runway shows. Also featured is a detailed timeline decorated with archival photographs and drawings, making this volume the definitive resource on Kelly's life and work. Published in association with the Fine Arts Museums of San Francisco Exhibition Schedule: de Young, Fine Arts Museums of San Francisco (October 23, 2021-April 24, 2022) Peabody Essex Museum, Salem, MA (June 25-November 6, 2022)

An exploration of what it means to be fabulous-and why eccentric style, fashion, and creativity are more political than ever Prince once told us not to hate him 'cause he's fabulous. But what does it mean to be fabulous? Is fabulous style only about labels, narcissism, and selfies-looking good and feeling gorgeous? Or can acts of fabulousness be political gestures, too? What are the risks of fabulousness? And in what ways is fabulous style a defiant response to the struggles of living while marginalized? madison moore answers these questions in a timely and fascinating book that explores how queer, brown, and other marginalized outsiders use ideas, style, and creativity in everyday life. Moving from catwalks and nightclubs to the street, moore dialogues with a range of fabulous and creative powerhouses, including DJ Vjuan Allure, voguing superstar Lasseindra Ninja, fashion designer Patricia Field, performance artist Alok Vaid-Menon, and a wide range of other aesthetic rebels from the worlds of art, fashion, and nightlife. In a riveting synthesis of autobiography, cultural analysis, and ethnography, moore positions fabulousness as a form of cultural criticism that allows those who perform it to thrive in a world where they are not supposed to exist.